The very first
artwork I saw in the Jepson Museum was Anne Ferrer’s Hot Pink (2012). I asked
myself what does this mean and how can it be art since I do not know what is
supposed to be representing. When I
observe a piece of art such as Pablo Picasso’s Guernica (1937) I am able to convey its meaning and/or message;
however, when I looked at Hot Pink I
did not know what to think about it. I
watched a clip about Anne Ferrer and she wants the viewer to use their
imagination on the meaning of Hot
Pink. A piece of art with no meaning
is something I did not know until we visited the Jepson, and there is no
artwork checklist mandating that an artist has a meaning behind their piece,
although most artists have a meaning behind their art work. This class has changed my definition of what
defines art, because art does not need to be oil on canvas, marble, or
clay. Art can be anything that engages
the viewer, such as
Pablo Picasso’s Seated Bather (1930) is a painting about
how cruel one of Picasso’s wives was when they were together. Seated
Bather is about Picasso’s wife who is considered to be evil from her
painting. When I first looked at Seated Bather I did not realize that
Picasso was referring to his wife. I did
however come to realize that the Picasso had a sense of hatred and anger
towards some female figure, because of her sharp teeth and mean face. Even though Pablo Picasso’s artwork was
mostly in cubist form, I could still understand the meaning behind Seated Bather.
Winston Churchill
was the Prime Minister for the United Kingdom during World War II, but he was
also a painter. In his free time Winston
Churchill would paint the scenery of where he was visiting. Lucy Lippard’s Lure of the Local: Being in Place talks about how “layers of
meaning [are] familiar to local residents but invisible to visitors,
cartographers, and even scholars” and in Winston Churchill’s Scene on the River Meuse you are just
looking at a picture of a town on the river; however, the meaning of the
painting is invisible to non-locals (34).
Scene on the River Meuse is
also “handed-down history” because it is a picture of what the area looked like
almost 70 years ago. I did not know that
Winston Churchill painted in order to help deal with his depression during
World War II; however, the layers of meaning in his paintings relate to the
area where he is painting whether it is in England, France, or Morocco
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